Don2 Movie Review

After being liked by very few and disturbing many with his “RA.ONE”…The King of Bollywood, Sharukh Khan is back soon with DON2, a sequel of his stylish franchise “DON”.  He carries forward faithfully his entire cast including Priyanka chopra, Lara Dutta and Boman Iraani…And the Crew Farhan Akthar the director and musicians’ trio Shankar Ehsaan Loy…Great gesture of course!! Well let’s see whether he carried forward that “hit” factor to the sequel…

Plot:

Don surrenders himself to Malaysian Police Roma (Priyanka) and Malik (Om Puri) and goes to jail only to free Vardhaan (Boman Iraani). Don and Vardhaan now have the mission of stealing currency printing plates from DZ bank in Switzerland. So how they accomplish that task…Oh come on any one who watch recent Fast & Furious or any one of the MI series would better explain this…!!

Don yaa Chor!!

While the Original Don (not original...actually a copy of yesteryear Don) has a Plot that is known, a little cocktail mixing of style and sexy “Ye meraa Dil” by Kareena made it a hit then. This has given a boost to the team to make them bring up some Hollywood robbery plot and again make “yaak” tail mix with the Don to create Don2.  As far as I imagine, A Don should command the world...but not “Chor Baazi”. So the plot as such brings no charm to the sequel.

But Sharukh does not disappoint…

Though the Plot disappoints …Sharukh does not fail to enthrall us. He has one-liners in stock for him.”Aaj ye sun kar meri maa kitne kush hoge…Mr. Malik, aap mere Maa ko nahi jaante”…”Sir bahut sheriff saa lagtaa hai ..Call me Don” and it’s always sounds sweet when he calls his Cop friend Roma…”Junglie Billee” and not the least when he says “Don ko pakadnaa mushkil hi nahin…naa mumkin hain”. Sharukh sports the long hair look just for a while for a change and soon switches to his self…So no worries if you don’t like that. He has that magic in his eyes and it actually shows up when he reminds his old romance with Roma. So No doubts, Sharukh always the best…

While many die to see Priyanka’s waist like we go fida for it with “Desi Girl” …Here she does no show...but plays boring cop who runs behind don with no proper plan but for just sake of it. 

Lara Dutta is good enough for a song and few scenes. Boman Iraani the same…love his foolishness once again. Om Puri sticks to the role. Kunal Kapoor as Samir the hacker is a good addition.

And Hrithik plays a cameo and of course he looks stunning. Aly Khan as Diwan, VP of DZ bank Nawab shah as local goon and Sahil Shroff as Priyanka’s colleague are adequate.

Don2 is not even Don/2

Surprisingly Farhan Akthar, who has a film “Dil Chahtha hai” in his kitty, directed this flick which has just a lifted plot of some Robbery plan. There were just couple of chase scenes and suspense elements related to robbery plan but they could not hold you long in seats. And then King Khans one liners will bring some good time and that’s it that Don has!!

And it’s a blunder not to have a jabbardast item like ”Chammak Challo” or “Chikni Chameli” to lure the audience and Musical Trio Shanker-Ehsaan-Lio just lets us down with one ok number ..”Zara Dil ko Thaam lo”

Finally….

Don is a sequel for the sake of it. Who knows you might like it for its grandeur and the grace of Sharukh. So you can have some sweet time if not completely sour. But Sharukh better “Don”t do “Don” yet again...Let him come as in Swadesh or “Chak De India”..We love to see him that way.

Rating…

2.75...Sharukh You can give us much better!!

   

Rajanna Movie Review

The King “Akkineni Nagarjuna” is back in his favorite season…this time not with regular “Mass” film but he has touched a different zone of patriotism with his new flick “Rajanna”. Eney, small girl plays the prime role in the movie. “Rajanna” is directed by Vijayendra Prasad who penned stories for super hit films like SamarasimhaReddy, Magadheera, Chatrapathi and most of his son, the director Rajamouli’s flicks. MM Keeravani delivers the heart, the music to the film.

Plot: Though India has got the freedom in 1947, many villages still faced atrocities by landlords and Razakars. Mallamma (Eney) hails from such a village Nelakondapalli in Adilabad district. She is daughter of freedom fighter Rajanna (Nagarjuna) who once inspired villagers to revolt against these landlords. When the Dorasani (Swetha menon) comes to know about the girl’s identity, she tries to kill her.

But Mallamma escapes and travels to Delhi to meet Nehru and ask his help to save her village. How she meets Nehru? And what’s the brave story of her dad? forms the crux of the movie!

Actors…

Eney, who plays mallamma, lives in the character. Her expressions excel the emotions needed in each scene. Her joy, sorrow, struggle, search and pain is made felt, hats off to her express all of them with sheer perfection at this young age. She’s gonna win loads of accolades for her role.

Nagarjuna who plays the title role enters the scene pre-interval. But his presence is felt by the name “Rajanna” as spread all over the film. He does the job with obvious maturity and ease and his presence post interval episodes fills the screen with energy and quenches the thirst caused by an hour wait till interval.

Sneha is seen as lachuvamma…Rajanna’s wife and she suits the role to the core and has enough space to make her presence felt.

Swetha Menon is good as Dorasani, Old man who played sambayya, Mallama’s guardian did good job.

Nasser played Mallamma’s teacher, Telangana Sakuntala and Tamil Actor Vijay Kumar played guest roles.

Ajay, Pradeep Rawath, Supreet and Ravi play Rajanna friends in positive roles, who fight till their end.

Hema and lot other’s in village put up commendable performances.

First half makes us wait and the Second does not wait for us!!

First half shows Dorasaani’s atrocities and Mallamma’s fight for existence and her journey to Delhi. Mallama’s journey to Delhi is depicted with great conviction. The director’s vision is seen in the lyrical content of the songs. MM Keeravani’s music plays major role in engaging the audience without actually showing the hero. And the pace of the movie takes a plunge with the entry of Rajanna in freedom fight scene.

While second half is filled with the flashback episodes, the inspiring and blood boiling scenes are very much there to pump in adrenaline. Wonderful fights (one in the village nelakondapalli in second half for the song “Vey Veyy” and other at Pre-Climax) choreographed by the maverick director Rajamouli lifts the movie to the needed level. And the climax is as predicted but leaves a delightful mark.

It’s a Family effort…”Vijayandra Prasad...Keeravani…Rajamouli”!!

Vijayendra Prasad who directed SriKrishna 2006 long back did not taste success then. But he is well prepared this time. It’s his wonderful screenplay that engages the audience with or without the hero on screen. Good performances are grabbed from every actor and the best from the girl Eney.

Keeravani deliver’s one of his best and each song has marvelous lyrical content. Every Song carries the movie forward and thus all songs play a vital role. While movie starts with a melody “Gijigaadu” and “Raa ree ro” takes you to the village on-screen. “Karuku raathi gundello” is one touching song when Mallamma leaves the village. And there are many written by Shiva Shakthi Datta (Keeravani’s father), Ananth Sreeram and Suddala Ashok Teja.

Cinematography provided by Shyam K. Naidu is awesome.

To say few words on Negatives, Movie should have been little more lavish especially in few scenes you feel the necessity. Movie itself is short as it is just 2 hours and its share of Nagarjuna is still lesser. In a word Rajanna is not a feast or full meals but delicious plate meal where you might not be full, but satisfied.

Finally…

Rajanna deliver’s what it promised. A patriotic musical journey ably supported by good technical team and wonderful performances. If you prepare for the difference, it won’t disappoint you much. It’s a good watch.

Rating

3.5 

Panjaa Movie Review

Hit or Flop…A Disaster or a Blockbuster, craze for Pawan Kalyan is undeterred and expectations on his new film always reach the skies. And here again we have Panjaa…Powerstar’s new film where he sports never before look releasing this week. Movie is directed by Stylish director Vishnuvardhan who earlier directed “Billa” in Tamil. Sarah Jane Dias and Anjali Lavania play the female leads.

Plot...not spoiler:

Jai (Pawan Kalyan) is loyal aide to gangster Bhagwan (Jackishroff). Everything goes fine until the arrival of Bhagwan’s son Munna (Adivi sesh) enters the town from foreign.  Things change upside down when Munna pricks everyone with his sadistic nature. Jai now has to choose between loyalty and controlling Munna.

Actors

Right from the looks, it’s a totally different Pawan we get on-screen. Sporting a beard throughout brings that rugged look much needed for that role. Pawan wonderfully plays with great ease and slightly deviates in intervals with his superb comedy timing. There are several scenes where he reminds us his old films…Whether posing like chiru...or dancing for “Dappu” in Paparayudu song or when heroine asks whether he ever did Karate in past reminding Tammudu. All in all, it’s a treat and every actor tries to play different once in a while and Pawan got that chance.

Adivi Sesh who played Munna (made a movie Karma entirely in US in past) is next important character. He played the role of Sadist to the core. Especially the pre-interval scene, he just builds up the scene that audience themselves want to kick him off the screen. So it’s all in the acting and he is someone to watch out more in future.

Sarah Jane Dias is just adequate. She is decent enough in simple costumes and provided needed act. But she is not the one who could get into our mind once the film is done.

 Anjali Lavania though had brief role sizzles more throughout her presence. She has solo song on her and she is damn hot.

We know that Pawan and Ali are great friends off-screen and Ali’s role is just extension to that friendship. So the comedy timing between them is more like natural and good to watch.

One guy who got huge response on-screen next to Pawan is Brahmanandam. It’s not something different he did, but he is much awaited in the serious movie and he sprinkled the laughs and brought some energy and he has whole “Paparayudu” song written on him.

Jackie Shroff gets a good role and does it well. Subbaraju is very good. Tanikella Bharani as his manager is fine. Atul Kulakarni and rest are limited.

A different film in one word.

Set up in Mafia background and at the same time, bringing the story touching up with good emotions is not an easy task. And director Vishnuvardhan succeeds in it for greater extent. He builds up each character perfectly in no time. He builds up that conflicting rivalry between Munna and Jai under currently and fires it high by the interval. Entire first half is stylish and thoroughly indulges you giving you that fresh flavor.

Second half goes to faraway lands and it’s a U-turn for us. That way we get a much needed deviation into greenery and wonderful village atmosphere (Pollachi). Then we get this hilarious episode of Brahmanandam and that song “Paparayudu” that’s almost the half the screen presence of Brahmanandam. The entire episode helps the movie a lot. So how the things come into place when the two worlds meet at the end forms the climax.

Good Work off-screen!!

Thanks to the director Vishnuvardhan who has shown us something new on screen than the run-of-mill movies. The entire first half is delight to watch that too in utter silence. He had a gripping screenplay in first half, but it loosens up a little in second. Love story still needs to be worked on. While the love track reminds of Balu, The conflict between Gangster’s son and his aide reminds me of Prasthanam movie for a while.

Yuvan’s music need to be much better. Title track of Panjaa just comes at the rolling titles at the end!! “Elaa Elaa” is good. And “Paparayudu” is the best of all. “Anukoneledu gaa” is trimmed t o two lines in movie as movie does not offer much scope to it. Background score is good. But it’s an opportunity lost for Yuvan.

P.S.Vinod’s cinematography is brilliant and scores equally with slick shots in first half and loads of greenery in second. Producers Shobu, Neelima etc made a commendable job.

Dialogues by Abburi Ravi need applause. “Saayam chesina vaadu Krutagnata choopinchaka povadam entha tappo, saayam chesina vaadu Krutagnatha korukodam anthe thappu. “Bhakthi tho chesedi punyam, dharmanga chesedi daanam, em aasinchakunda chesedi saayam” are good ones.

Finally…

An honest approach in telling a story in a straightforward manner and rightly aided by good technical team. But the entertainment quotient is lesser and thus limits the reach of the movie to great extent. To see a different Pawan and a different film, do watch it.

Rating.

3/5 for that way out of box effort and style.

   

SOLO MOVIE REVIEW

“Baanam” laanti different debut tho endarino aakattukunna Naara vaari abbai Rohit, rendosaari ravvantha hushaaruga…kaasathantha chalaakigaa audience ni meppinchaalani “Solo” gaa mana munduki ochaadu. “Yuvatha” “Aanjaneyulu” teesina Parusuram(Puri jagannath sishyudu) ki idi 3va cinema. Kajal chelli Nishaa Aggarwal mana “Solo” ki janta.

Katha: Goutam(Rohit) chinnapati nunchi solo ga pergatam tho, oka ummadi kutumbam lo ammayini pelli chesukovalaani  kalalu kantaadu.Atani kalalu falinchi Vaishnavi(Nisha) ane ammai atani kanta badutundi. Elaagaithenem Vaishnavi ni love lo padestaadu Gautam. Kaani Vaishnavi tandri(Prakash Raj) ki nindu gaa unna kutumbam loki tana ammayini pampinchaalanukuntaadu.

Mari mana “Solo” Hero elaa tana eeroine ni sontham chesukuntaadu anede cinema katha.

Acting ela chesaaru…

Baanam lo serious expressions ki maatrame parimitamayina Rohit ki ”Solo” nijangaa konchem pedda pariksha. Super arupulu…turumu laa cheyyaledu kaani …modati cinema kanna chaala improvement kanabadutundi. Modati half lo love scenes lo ease baagundi. Paatallo chinna chinna dance movements tho mama anipinchaadu. Serious scenes inkaa baa cheyyali. Tanakantu oka pratyekatha unnapude shine avvagaladu…

Nisha Aggarwal …(edo cinema lo sunil annattu) Nisha vaalla akkantha andagatte kaadu…vaalla akka antha performer kaadu…vaalla akkantha screen presence ledu…marinkem vaalla akka Kajal ne teeskovachu kada ante, Kajal dates dorakani paksham lo Nisha tho adjust ayipovachu. Unnanthalo bane chesindi…mukyam gaa climax scene lo. Final gaa vaallakka Kajal laaga adrushtam kooda kalisi raavali ee pillaki.

Ika Prakashraj heroine tandri character ante….asalu scriptu kooda soodakunda acting cheseyyagaladu…baaaga alavataina character…Madhya madhyalo …tana dailoguelaki taana ante tandaana anenduku atani akka character lo jayasudha undane undi…

Hero pakkane unde friend character Srinivas Reddy…Late gaa ayina latest gaa kummestunnaadu comedy…mukyam gaa cinemaalo manam ye konchem navvukunnam anna adi itani punyame.

Daarilo unna pentani geliki vaasana choose character Shiyaje shinde di. Clarity lekundaa coffee kooda taagani character. Ali ni peddaga vaadukoledu.

Solo nunchi shaadhi daaka!!

 “Solo” bratuku tho visigi vesaari unna hero pellaina pilla talli (mogudu odilesina baapati) ni kooda chesukodaaniki ready gaa untaadu…just ummadi kutumbam kosam.aa time lo mana heroine “jagan ki CM padavi dorikinattu” kanabadutundi. Ika first half mottam aame venakaala padatam..aameni meppinchatam…saradagaa saaagipotundi..superru kaadu alaa ani bore ledu.

Interval lo prakashraj character tho conflict point chaala baaga teesukochaadu..”naa place lo rendu nimishaalu undi naa kooturini oka anaada ki cheyyochaa ledaa ani alonchinchu” ani Prakashraj anatam tho alochana lo padataadu hero. Kutumbam kosam taaptreya pade Hero, manchi kutumbam loki kooturuni pampaalani Prakashraj. Ee samasya elaa kolliki ochindi anedi second half.

Engagement ayina heroine, Outhouse lo Hero, tanu choosina pellikodukune chesukovaalane tandri, ataniki sardi cheppe atani akka, idanthaa chooste naaku “Nuvvu Naaku Nachchaav” cinemaane pade pade gurtochindi..etochi akkada suhasini chesina character ikkada jayasudha chesindi. Akkada Venkatesh chaala sandadi gaa bandi laagiste..ikkada mana Rohit second half chaala dull ayipotaadu. Entha sepu Prakash Raj ni dailogulatho padeddaamani tapane tappa vere prayatnam undadu.

Second half lo Srinivas Reddy Kushi,Okkadu,Simhadri( alochiste moodu bhoomika cinemaalu…so director bhoomika fan anna maata) loni premakathalu Shiyaji shinde ki cheppatam baagundi. Inthaki eeyanevaru ante Prakash raj ki bakara viyyankudu.

Parusuraam Maatalu..Manisharma Paatalu Adurs!!

Dialogues tho kathani clarity gaa cheppatam goppa vishayam. Heroine ummadi kutumbam kosam pade tapana, PrakashRaj hero tho vaadinchadam, Hero Prakashraj ni convince cheyyadam…ilaa okatenti chaala chotla Parsuram Pennu panitanam kanipistundi. 
"Poyetaapudu naluguru keapothe naa tappu..kaani puttetappudu evaru lekapothe naa tappu elaa avuddi sir" superr....
"premiche mogudu dorikithe gudilo devudini kooda marchipotaaru aadaallu" abbo keka
Director gaa maatram cinema ni aadyantam lively gaa teeyaleka poyaadu.

Manisharma paatalu vine koddi vinaali anipinchella unnai.Krishna Chaitanya raasina ”Marumallela vaana” “ammamammammo ee ammayike nachaara” songs hummable gaa unnai. Oka sad song (naa prema kathaki nene kada villanu) lo “viswadaabi raama vinura vema…gontu digina garlamera prema” ane line pade pade mind lo kadalaadutundi. Manchi lyrical by Ramajogayya saastri garu.

 Chivaragaa…

Cinema lo unna basic point..interval  conflict kotta gaa unnai. But cinema aasantham kottadem kaadu. Bore kodithe O saari saradaaga choodochu. Inkaa ekkuva characters…inka tight gaa screenplay..lively comedy unte…cinema inka baagundedi

3/5 maarkuleskovachu…oka manchi cinema kaabatti!!

Sri Rama Rajyam 3

Sri Rama Rajyam Review2

If you can Read Telugu ..check this ...Telugu Version

enni saarlu vinnaa …enni saarlu choosinaa…ippaTikee navyamgaa, yeppaTikee rasaramyangaa unDe mahaakaavyam…“raamaayaNam”. aa divya kaavyam aadhaaramgaa yennO pouraaNikaalu…inkenno saanghikaalu vachchaayi, manalni meppinchaayi…vaaTillO prapradhamamgaa cheppukunEdi…”lavakuSa” gurinchi. yenni yugaalaina taragani mElimi vajram aa chitram. “sampoorNa raamayaNam” modalukoni “mutyaala muggu” “Sree raamanjanEya yuddam” ilaa raamayaNaanni kaasi vaDapOsina baapu gaaru alanaaTi “lavakuSa” ni nETi taraaniki kaanukivvaalanE satsankalpam tO teesina cinema “Sree raama raajyam”. yalamanchali sai baabu ee chitraanni nirminchaaru. mari raamuDu inkevaraiyunTaaru….tanDri aDugujaaDala lO marO aDugu mundukestoo ee saahasaaniki poonukunna nandamoori BalaKrishna…

lavakuSula katha: raavaNa saMhaaram kaavinchi seetaa samEtuDai ayodhya chErina raamuDu, entO janaranjakangaa raajyaanni paalistaaDu. O chaakali vaaDi nindalu vinna raamuDu, garbhavati gaa unna seetani aDavulaku pampistaaDu. raamaayaNa grandha karta vaalmiki aaSramam lO seetaa dEvi lavakuSulanu prasavistundi. chivaragaa aa chinnaarulanu tanDri vaddaku elaa chEraaru? seetaa raamula avataaraalu elaa parisamaaptam ayyaayi anEdi muKya katha.

kaTTE koTTE techchE ani mooDu mukkallO raamayaNaanni cheppEsukunTaam, kaani asalu gunDelu pinDe katha aa taruvaatE katha modalu..!!

Actors

BalaKrishna…naTa jeevitamlo kalikituraayi Sree raama paatra. aa mahaanubhaavuDu, viSwa viKyaata naTa saarvabhoumuDu nandamoori taaraka raamaaraavu gaari koDukugaa puTTina RuNaanni ee vidhamgaa teerchukunE avakaaSam BalaKrishna ki dakkindi ani cheppochu. aa avakaaSaanni tana vantugaa neravErchaaru baalayya. entO ishTamgaa, nishTagaa chesaaru kaabaTTi ennO saarlu en.Tee.aar ni gurtu chestoo adbhutangaa saagindi raamuDi paatra. muKyangaa seeta meeda unna prEma aa kaLLallo baagaa choopinchaadu BalaKrishna.

Sree akkinEni naagESwararaavu gaaru vaalmeeki paatra poshinchaDam Sreeraamaraajyam cinemakE vanne techchindi. naagayya gaarini maripinchagala sattaa mari aayanakE undi. 

seetamma anTe yeppaTiki anjali dEvi gaarE. nijangaa seetamma talli digochchaaraa anipistundi aameni choostE! kaavuna polika vyardham. ayinaa nayanataara baalayya ki sarijoDu gaa seeta paatralO imiDipoyindi. Atyanta keelakamayina ee paatralO nayanataara chaalaa baagaa chEsindi ani cheppochu…nayanataara seeta enTi? anna vaaranduru...Sabhaash nayanataara anTaaru Kachchitangaa..!!

lavakuSulugaa chinnaaruliddaru cinema inkaa muddochelaa chEsaaru...raamaayaNa katha cheppE paaTallO muripinchaaru. 

   tana sineejeevitam lo andari heerOlaku sahaya paatralu chEsina Sreekaant ki lakshamanuDi paatra achchangaa saripoyindi. kaantaaraavu gaaru chEsina paatrani chakkagaa poshinchaaDu Sreekaant.

   kousalya gaa keaaar vijaya meppinchaaru. kannaamba poshinchina paatra idi.

 dhaaraa sing ki aanjanEya paatra koTTina pinDi. alaage aanjaneyuDu oka baaluDi roopam lo raavaTam kottagaa baagundi. bhoodEvi paatralO rOjaa kaavaalsina roudraanni pradarSinchindi. BharatuDi gaa sameer,janakunigaa muraLi mOhan, chaakali tippana gaa brahmaanandam, vaSishTuni gaa seeniyar baalayya saripoyaaru.

lavakuSa lO rElangi,suryaakaantam,ramaNaareDDi gaaru lEni lOTu kanipistundi

iLayaraajaa sangeetam atyadhbutam

jagadaananda kaaraka....jaanaki chandra naayaka...anToo baalu seetaraamulanu swaagatistoo paaDE paaTatO cinema aarambham avutundi.. "yE nimishaaniki yemi jarugunO" ane paaTa teleeni vaarunDaremO...aa sandarbham lO vachchE "gaali ningi neeru " ni sagaaniki kudinchaaru..:(."seetaa seemantam " chooDaTaaniki kanuvindu chEstundi 

ika raamayaNaanni varNinchE mooDu paaTaalu "dEvuLLe mechchindi ...meekentO nachchindi..Sree seetaa raama katha ", "raamayaNamu..Sree raamayaNamu..." , "seetaa raama charitam" mooDu aaNimutyaalu. SrEya ghOshal gaatram chaalaa madhuram gaa undi ee paaTallo. jonnavittula gaaru anni paaTalu chaalaa chinni chinni padaalatO chaalaa baagaa raaSaaru.baapu santakam anni paaTallo spashTangaa kanipistundi.

baapu ramaNeeyam chirasmaraNeeyam !!

kammani padaalatO Sree raamaraajyaanni rasaramyam chEsina muLLapooDi ramaNa gaaru mana madhya lEru anTE baadha gaa undi. vaari smRtulatO vaariki ankitamistoo aanaaTi lavakuSa ki tanadaina mudra vEsaaru baapu gaaru. nijaaniki lavakuSa lO chaalaa kashTamayina sannivESaalu unnaayi. baapu telivi gaa chaalaa varaku kudinchi paaTalatO kathani naDipinchaaDu.

lakshamanuDu seetani aDavilO dimpina sannivESam, raamuni meeda anumaanam tO seeta ayodhya ki vachchE sannivESam, raamuDini lavakuSulu edirinchE sannivESam, okaTaa renDaa. ilaa chaalaa sannivESaalu baapu hrudyamgaa terakekkinchaaDu.  prati sanniveSam oka andamaina bommalaa kaLLa mundu undi anTE adi aarT DairekTar raveendar, cinemaTographar pi.aar.ke raajula kRshi entO undi. graaphiks kooDa chaala sahajangaa unnaayi.

tappaka chooDaali...

lavakuSa maLLee teeyaTam asambhavam. kaani nETi taraaniki raamayaNam ruchi choopinchaalani chEsina ee chiru prayatnam nijamgaa harshaneeyam.modaTi baagamlo konni hechchu taggulunnaa renDava baagam chaalaa baagundi. oka manchi chitram gaa nilichipotundi Sreeraamaraajyam  

Rating!!

4/5 

Sri Rama Rajyam Review

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ఎన్ని సార్లు విన్నా …ఎన్ని సార్లు చూసినా…ఇప్పటికీ నవ్యంగా, యెప్పటికీ రసరమ్యంగా ఉండె మహాకావ్యం…“రామాయణం”. ఆ దివ్య కావ్యం ఆధారంగా యెన్నో పౌరాణికాలు…ఇంకెన్నొ సాంఘికాలు వచ్చాయి, మనల్ని మెప్పించాయి…వాటిల్లో ప్రప్రధమంగా చెప్పుకునేది…”లవకుశ” గురించి. యెన్ని యుగాలైన తరగని మేలిమి వజ్రం ఆ చిత్రం. “సంపూర్ణ రామయణం” మొదలుకొని “ముత్యాల ముగ్గు” “శ్రీ రామంజనేయ యుద్దం” ఇలా రామయణాన్ని కాసి వడపోసిన బాపు గారు అలనాటి “లవకుశ” ని నేటి తరానికి కానుకివ్వాలనే సత్సంకల్పం తో తీసిన సినిమా “శ్రీ రామ రాజ్యం”. యలమంచలి సాయి బాబు ఈ చిత్రాన్ని నిర్మించారు. మరి రాముడు ఇంకెవరైయుంటారు….తండ్రి అడుగుజాడల లో మరో అడుగు ముందుకెస్తూ ఈ సాహసానికి పూనుకున్న నందమూరి బాలకృష్ణ…

లవకుశుల కథ: రావణ సంహారం కావించి సీతా సమేతుడై అయొధ్య చేరిన రాముడు, ఎంతో జనరంజకంగా రాజ్యాన్ని పాలిస్తాడు. ఓ చాకలి వాడి నిందలు విన్న రాముడు, గర్భవతి గా ఉన్న సీతని అడవులకు పంపిస్తాడు. రామాయణ గ్రంధ కర్త వాల్మికి ఆశ్రమం లో సీతా దేవి లవకుశులను ప్రసవిస్తుంది. చివరగా ఆ చిన్నారులను తండ్రి వద్దకు ఎలా చేరారు? సీతా రాముల అవతారాలు ఎలా పరిసమాప్తం అయ్యాయి అనేది ముఖ్య కథ.
కట్టే కొట్టే తెచ్చే అని మూడు ముక్కల్లో రామయణాన్ని చెప్పేసుకుంటాం, కాని అసలు గుండెలు పిండె కథ ఆ తరువాతే కథ మొదలు..!!

నటీనటులు…
బాలకృష్ణ…నట జీవితంలొ కలికితురాయి శ్రీ రామ పాత్ర. ఆ మహానుభావుడు, విశ్వ విఖ్యాత నట సార్వభౌముడు నందమూరి తారక రామారావు గారి కొడుకుగా పుట్టిన ౠణాన్ని ఈ విధంగా తీర్చుకునే అవకాశం బాలకృష్ణ కి దక్కింది అని చెప్పొచు. ఆ అవకాశాన్ని తన వంతుగా నెరవేర్చారు బాలయ్య. ఎంతో ఇష్టంగా, నిష్టగా చెసారు కాబట్టి ఎన్నో సార్లు ఎన్.టీ.ఆర్ ని గుర్తు చెస్తూ అద్భుతంగా సాగింది రాముడి పాత్ర. ముఖ్యంగా సీత మీద ఉన్న ప్రేమ ఆ కళ్ళల్లొ బాగా చూపించాదు బాలకృష్ణ.
శ్రీ అక్కినేని నాగేశ్వరరావు గారు వాల్మీకి పాత్ర పొషించడం శ్రీరామరాజ్యం సినిమాకే వన్నె తెచ్చింది. నాగయ్య గారిని మరిపించగల సత్తా మరి ఆయనకే ఉంది.

సీతమ్మ అంటె యెప్పటికి అంజలి దేవి గారే. నిజంగా సీతమ్మ తల్లి దిగొచ్చారా అనిపిస్తుంది ఆమెని చూస్తే! కావున పొలిక వ్యర్ధం. అయినా నయనతార బాలయ్య కి సరిజొడు గా సీత పాత్రలో ఇమిడిపొయింది. ఆత్యంత కీలకమయిన ఈ పాత్రలో నయనతార చాలా బాగా చేసింది అని చెప్పొచు…నయనతార సీత ఎంటి? అన్న వారందురు...శభాష్ నయనతార అంటారు ఖచ్చితంగా..!! 
లవకుశులుగా చిన్నారులిద్దరు సినిమా ఇంకా ముద్దొచెలా చేసారు...రామాయణ కథ చెప్పే పాటల్లో మురిపించారు.
   తన సినీజీవితం లొ అందరి హీరోలకు సహయ పాత్రలు చేసిన శ్రీకాంత్ కి లక్షమనుడి పాత్ర అచ్చంగా సరిపొయింది. కాంతారావు గారు చేసిన పాత్రని చక్కగా పొషించాడు శ్రీకాంత్.
   కౌసల్య గా కేఆర్ విజయ మెప్పించారు. కన్నాంబ పొషించిన పాత్ర ఇది.
 ధారా సింగ్ కి ఆంజనేయ పాత్ర కొట్టిన పిండి. అలాగె ఆంజనెయుడు ఒక బాలుడి రూపం లొ రావటం కొత్తగా బాగుంది. భూదేవి పాత్రలో రోజా కావాల్సిన రౌద్రాన్ని ప్రదర్శించింది. భరతుడి గా సమీర్,జనకునిగా మురళి మోహన్, చాకలి తిప్పన గా బ్రహ్మానందం, వశిష్టుని గా సీనియర్ బాలయ్య సరిపొయారు.

లవకుశ లో రేలంగి,సుర్యాకాంతం,రమణారెడ్డి గారు లేని లోటు కనిపిస్తుంది.

ఇళయరాజా సంగీతం అత్యధ్బుతం 

జగదానంద కారక....జానకి చంద్ర నాయక...అంటూ బాలు సీతరాములను స్వాగతిస్తూ పాడే పాటతో సినిమా ఆరంభం అవుతుంది.. "యే నిమిషానికి యెమి జరుగునో" అనె పాట తెలీని వారుండరెమో...ఆ సందర్భం లో వచ్చే "గాలి నింగి నీరు " ని సగానికి కుదించారు..:(."సీతా సీమంతం " చూడటానికి కనువిందు చేస్తుంది
ఇక రామయణాన్ని వర్ణించే మూడు పాటాలు "దేవుళ్ళె మెచ్చింది ...మీకెంతో నచ్చింది..శ్రీ సీతా రామ కథ ", "రామయణము..శ్రీ రామయణము..." , "సీతా రామ చరితం" మూడు ఆణిముత్యాలు. శ్రేయ ఘోషల్ గాత్రం చాలా మధురం గా ఉంది ఈ పాటల్లొ. జొన్నవిత్తుల గారు అన్ని పాటలు చాలా చిన్ని చిన్ని పదాలతో చాలా బాగా రాశారు.బాపు సంతకం అన్ని పాటల్లొ స్పష్టంగా కనిపిస్తుంది.

బాపు రమణీయం చిరస్మరణీయం !!

కమ్మని పదాలతో శ్రీ రామరాజ్యాన్ని రసరమ్యం చేసిన ముళ్ళపూడి రమణ గారు మన మధ్య లేరు అంటే బాధ గా ఉంది. వారి స్మృతులతో వారికి అంకితమిస్తూ ఆనాటి లవకుశ కి తనదైన ముద్ర వేసారు బాపు గారు. నిజానికి లవకుశ లో చాలా కష్టమయిన సన్నివేశాలు ఉన్నాయి. బాపు తెలివి గా చాలా వరకు కుదించి పాటలతో కథని నడిపించాడు.
లక్షమనుడు సీతని అడవిలో దింపిన సన్నివేశం, రాముని మీద అనుమానం తో సీత అయొధ్య కి వచ్చే సన్నివేశం, రాముడిని లవకుశులు ఎదిరించే సన్నివేశం, ఒకటా రెండా. ఇలా చాలా సన్నివేశాలు బాపు హ్రుద్యంగా తెరకెక్కించాడు.  ప్రతి సన్నివెశం ఒక అందమైన బొమ్మలా కళ్ళ ముందు ఉంది అంటే అది ఆర్ట్ డైరెక్టర్ రవీందర్, సినిమాటొగ్రఫర్ పి.ఆర్.కె రాజుల కృషి ఎంతో ఉంది. గ్రాఫిక్స్ కూడ చాల సహజంగా ఉన్నాయి.

తప్పక చూడాలి...
లవకుశ మళ్ళీ తీయటం అసంభవం. కాని నేటి తరానికి రామయణం రుచి చూపించాలని చేసిన ఈ చిరు ప్రయత్నం నిజంగా హర్షనీయం.మొదటి బాగంలొ కొన్ని హెచ్చు తగ్గులున్నా రెండవ బాగం చాలా బాగుంది. ఒక మంచి చిత్రం గా నిలిచిపొతుంది శ్రీరామరాజ్యం

సంతృప్తి శాతం!!

4/5

RA.ONE MOVIE REVIEW

RA.ONE is no doubt the most anticipated movie of the season and the reason’s obviously for it being the movie of Sharukh Khan, the King of Khan’s. Added to it, it’s a huge scale science fiction and not to deny that is exceedingly publicized that it is talked over than any other burning problem of the nation, thanks to the promotion campaign run by the Sharukh himself as he has stake in the movie. Directed by Anubhav Sinha who debuted with Tum Bin and later directed Stylish “Dus”, RA.ONE has gorgeous and lucky lady Kareena Kapoor who boasts of handful of biggest grosser’s of Bollywood.

Let’s peep into this virtual world of RA.ONE!!

Plot: Shekhar (Sharukh), a very caring father always fail to get the hugs from his son Prateik (Armaan Varma) for being so timid. While Prateik loves the villains in his video games, Shekhar believes in Good to win over bad. But to win over his son’s attention, Shekhar designs a video game RA.ONE (Random Access .ONE) where it is almost impossible for the hero of the video game, G-ONE (replica of Shekhar) to win it. Prateik takes the challenge and wins the first round. Now RA.ONE who cannot bear the defeat enters the real world to win the game, killing prateik. Witness the Super battle of RA.ONE and G.ONE on big screen.

Virtual world comes to real…

Well RA.ONE before the release, promised to serve us a feast of stunning visuals. And truly holding to it, the premise set for the film and the things we see on the screen firmly stand to the word given. Go start from the titles, the reference to the virtual world is made. Of course movie do take some little time to introduce the family members and colleagues of Shekhar, who are gonna be part of this adventure. Bear the very filmy, but not too funny appearances of Priyanka Chopra and Sanjay Dutt.

But once the real game begins, there’s no seeing back. We see the ambitious RA.ONE trying to escape into the real world. And then there’s a brilliant chase and fight with stunning visuals of flying cars when RA.ONE fights with G.One. I guess that’s more than suffices the pre-interval block and make viewers happy for they get what they expect to see. Then the later part brings us Sharukh’s kind of slapstick comedy made of few silly fights (ok, bearable) and few things that draw line between Robot and a human. While there is a lengthy train sequence reminding you the Rajnikanth’s Robot, Sharukh might have felt it inevitable to bring in RajniKanth for a cameo. Well Rajni’s appearance as chitti is small and fits in considering Rajni’s health condition too. And here’s the climax that’s good enough visually while keeping us engaged throughout.

Actor’s On-screen…

Sharukh has chosen to play south Indian Shekhar Subramanian, may be to offer some difference in what we see in regular films. That served the gap between him and his kid and supported the variation he offered for G.ONE.As G-ONE, he with ease plays superhero, who has a mission of protecting his family. But the producer in him dominated the actor, for providing rich extravaganza live to the screen.

Kareena does her job well and even sizzles in “Chammak Challo” saving some money to the producer for not bringing in an additional item girl for that one.

Young Kid Armaan Varma, plays way better for a debutant and scores full marks.

As RA.ONE, the Villain in the game gets into the skin of someone in real world, Tom Wu a Chinese actor plays the role in first half and Arjun Rampal does it in second. Both are adequate. Sahana Goswamy and Satish shah suffices well for supporting roles.

Fantastic Visual effects…

Jeff Kleiser took care of the visual effects for RA.ONE in unquestionable manner. The perfection in the work is seen in cubic transformations of lead roles. The fantastic chase sequence and blowing up of cars in London, is just mind-blowing as Bollywood movie is concerned. While Train sequence though well shot, has less impact as we see similar thing in Rajni’s Enthiran. Climax and loads of visuals which we see in movie flow are all superb. Credit also goes to Red Chillies VFX team on whole. Oscar winner Rasool Pookutty does the in-sync sound mixing. Nicola Pecoroni does splendid job for cinematography.

Awesome work off-the screen…

“Anubhav” Sinha as name suggests might have gained much experience watching other Sci-Fi films, but still makes a difference with RA.ONE. And while making an Indian science fiction, there are some things like sentiment and Romance that do hinder the proceedings, but it’s up to audience to answer themselves, if those things are unavoidable considering the whole thing as fiction. Vishal Shekhar increases the reach of movie by providing some cool tunes in form of “Dildaara..” and rocking “Chammak challo”

Time for negative points…

It would have been absolute joy to watch a movie that has perfect storyline combined with the Visual effects like Avatar. But RA.ONE lacks behind there. Nevertheless our Shekhar aka G-ONE tries to build in few emotions of family, playing a caring father telling idealistic proverbs now and then and giving a message towards the end. When termed as Children’s movie, is there a need to include words like “Kondom Kondom” for Konjum Konjum. This is high time, censor needs to wake up.

Finally…

RA.ONE stands number one for Visual effects, so far on Indian cinema. If that is what you expect from the film, RA.ONE delivers it without hesitance. While the movies with no proper story but just go to become block-buster with the star value, RA-ONE can also attain and surpass them, but whether it surpasses the 175 Crore put on it!! Time should tell it.

Rating

3 STARS. RA.ONE is one happy watch for the difference it offers, and you might be unhappy if you focus on flaws!!.

7th Sense Movie Review

Solid combo of Suriya- AR Murgadoss- Harris Jairaj who delivered “Ghajini” is back with 7aum Arivu and the dubbed version in Telugu is called 7^th Sense. Sruthi Hassan pairs with Suriya. So going by the combination involved and the trailers, the movie released with decent expectations and thanks to the Deepavali festival that’s around!!

Story:  

Bodhidharma, a Buddhist monk of Indian origin who lived in 5^th century travelled to china then. He treated diseased with medicines he invented and he possessed variety of skills like hypnotism and other warfare techniques.

In Present day, Subha (Sruthi Hassan), a young genetic scientist tries to bring back the power and wisdom of Bodhidharma by infusing his DNA into his successor Aravind (Suriya).  Will she succeed in accomplishing her task? What are various hindrances the couple needs to face comprises the flick.

Actors:

Surya plays two roles of Bodhidharma and Aravind. He is damn handsome as young prince Bodhidharma. His get up as old Bodhidharma looked natural and elegant. He’s seen with complete bald head depicting the actual pictures of Bodhidharma. While as Aravind, he looked cool and he showcased his six-pack physique in needed scenes. Suriya tries to please his mass fans and variety seekers with his two different characters and this brilliant and dedicating actor delivers that with ease.

Sruthi Hassan gets the substantial role and scores very good marks both for her looks and her acting skills that flow in her blood. While she looks stunningly cute in songs, she had a lot of dialogue to explain the essence of the happenings. So she is promising and more to look for in days to come.

Johnny Tri Nguyen, a Vietnamese American film and television actor is seen as powerful villain who hails from china. With his serious looks with the power of hypnotism, he adds spice to proceedings.

Sruthi friends and Suriya’s dwarf companion did decent job.

Gist of two halves…

Movie flows in regular straight pattern starting from Bodhidharma.First half is decently distributed among the Subha-Aravind’s romance track giving place to few songs and then Subha’s research and the Villain’s entry. So the flow is smooth and adequate though nothing great as expected.

Interval and very few minutes from then, things become very clear and there’s nothing left out that could go against audience guess. And the fact that is indigestible is that there’s nothing new that’s delivered by the genious director Murugudoss.

Murugudoss  disappoints….

  Movie depends on simple thread of bringing back some powers to life to fight back the evil.  And that is told in even simpler fashion but stretching it for 3 lengthy hours . While the villainy shown by the hypnotism trick seemed different, excessive use of it and its repetition becomes funny and loses its impact  when truly tried to attack Suriya-Sruthi in badly made graphical fight sequence. While that fight sequence is lengthier one, the climax which is supposed to be even bigger falls flat with just one on one fight ( while such a huge powers attained with such a filmy effort serves such an ordinary fight..Disappointed!!). And sub plot of a wide-spreading disease (like in recent film Contagion) is very poorly written. Shanker would have dealt that episode much better. The movie which already lacks heart leaves lot of space for improvement.

Goodies….

Harris Jayaraj’s back ground score is flawless and all the songs are very good on screen. All the songs are nicely pictured and are pleasant when seen on screen thanks to gorgeous Sruthi and her dazzling chemistry with Suriya. Ravi.K.Chandren's cinematography is adequate.

Finally….

First of all, the title itself has no sense. And overall 7^th Sense is almost a regular movie but differently packaged.  If only for Suriya and Sruthi, this serves fine as a regular time-pass flick. But if you are seeking a different kind in lines of Ghajini, this is not the one.It just serves little difference.

Rating…

2.75/5

OOSARAVELLI MOVIE REVIEW

“DUSSERA” …A Big Festival being around…It’s time for celebrations…family gatherings and finally for movies. While “Dookudu” released few days back is ruling the roost, It’s NTR’s turn to hit the box-office with new film “Oosaravelli”. Surendar Reddy of “Athanokkade”, “Kikk” directs the flick. He earlier directed NTR for “Ashok”. Tammana plays the female lead opposite Young Tiger.

Let’s check in brief what’s it all about…

Plot(Not much spoiler): Tony(NTR) a easy going guy who does petty settlements for money, comes to Hyderabad from Mumbai. He falls for Niharika (Tamanna). NTR in his acts, behave bit differently based on situations starts killing the baddies one after other with hidden motto. What’s the story behind his killing the goons? What’s the connection of the heroine with the main plot? etc are revealed as the movie proceeds!

Actors:

Whatever firstly let’s appreciate NTR, for choosing a title “Oosarvelli” rather than some general mass title to suit his image. He tries hard to come out of Angry Lad image and tries to be a lover boy for a while and act comically like RaviTeja for a while. So while he is not himself, he is just adequate for the role. Ease in dance is of course cake walk for NTR, though there’s no much scope here. But definitely his fans will miss the punch that they get through his powerful dialogues and emotions. Wish he switches back to that for his mass followers.

Tammana has got real meaty role here. She balances the glamour quotient and emotions perfectly. It’s a rare thing that Heroine has that much of screen space these days as almost 10 minutes in the later half entirely runs on her. Her acting ability comes in handy here. She is one thing to look out for in this flick. She is superb in “Niharika” song.

Payal Ghosh who is seen in “Prayanam” plays Tammanna’s friend. She shares most of her friend’s screen time. She supports the proceedings from the beginning and gains more importance towards the end.

O God, It’s too tiresome and irritating to see Prakash Raj is same old Don Ajjubhai( even his name is disgustingly boring) role  with such an idiotic same old costumes. While there is no brahmanandam here, Jaya Prakash and Raghubabu etc try to add some comedy. MS Narayana also supports them. Very few other actors like Tanikella, Shiyaji shinde and Kikk Shyam  are adequate.

So What’s the gist!!

Director Surendar Reddy tries to tell the regular revenge drama in rather twisted manner. He borrows theme of “Aarya” for first half. First half is filled with some triangular love story between NTR and Tammana and her would be( a guy plays similar role like Sivabalaji in Aarya). And there’s a side track of Jaya Prakash, don wannabe to support this love track.  For sure the comedy track, spills some laughs here and there, and the quick songs help first half to move smoothly.  

Interval Bang and initial second half reveal the actual motto of the flick. While this part is dealt fine, the actual plot or reason is definitely not that worthy or exciting to hold the flick strongly. After relevation, there’s nothing much left over for last half hour but to rush up and say a good bye.

 What are good….

The Director shows few sparks here and there…To name few, The boy meets girl scene pictured in Kashmir and the song that follows is good. The Story that follows immediately after interval is gripping and possesses some seriousness. Using RGV’s titles for villain gang, whole JP’s comedy track is adequate. “Niharika” , “Brathakaali”, “Daandiyaa” are nicely shot. “Friend ante caring” has nice situation. Tamanna looks very good throughout. Devisri Prasad composes music while Rassol Ellore handles cinematography. Two action episodes are well handled with a song background and others suffices. 

What’s All Missing…

Though the entire plot seems little twisty, It finally ends the same and depends on the same old revenge saga. Movie as such lacks hilarious comedy which is USP these days to cover up its cliches.

Finally…

Though not surprisingly fresh, Movie offers regular masala for movie goers this festival. First half, NTR’s fan base and Tamanna’s role will surely make up for a watch if in case you don’t have an option. Festival time, Huge release will help this movie for a weekend.

Rating

2.75/5

Dhookudu Movie Review

Undoubtedly most awaiting movie of the season, “Dhookudu” has come out finally. Super Star Mahesh Babu is quick this time compared to his previous hiatus before “Khaleja”. Samantha, who stole our hearts as Jessie paired up with the prince. Srinu Vaitla, known for his entertainers like “Ready” “Venki” etc directed this one. And Luckiest Music director Thaman provided rocking tunes for Dookudu.

Plot(very slight spoiler): Ajay is daring and dashing Police officer. His mission is catching a gangster Nayak(Sonu sood). In a short while, Ajay comes to know that Nayak in the past, tried to kill his father Shanker Narayan(Prakash Raj), a good leader who lived for people. How Ajay puts an end to the Gangster and his team in a dramatic way is the entire movie about. And of course some space is reserved for Ajay’s romance with cute Prashanti (Samantha).

Actors:

 Mahesh looks dashing justifying the title's slogan "Daring and Dashing"…And he without any argument steals the screen space with his stunning looks. He carries forward his comedy timing which is seen in Khaleja. While his short stint in Pokiri as Police is ever memorable, He extends that role of “Krishna Manohar” and perfectly dons it with cool one-liners and stressing the word “Police” periodically. He also wears white and white MLA role, and let me hold it as suspense the reason behind it.

And female lead opposite Mahesh definitely faces that pressure as to match the thunderous glamour of prince. Samantha looks very fresh with Mahesh. She is good in all songs…and why not in scenes, because she is seen only in songs. Chinmayi’s dubbing(dubbed for her in Ye Maaya chesaave)  did not suit Samantha in this role.

Prakash Raj plays Mahesh’s side this time as his father. The heart of movie’s plot and he brings life to that character and need to mention, very few emotional scenes between son and father gives that impact, should thank PR for it.

Mah”Esh” blesses "Parvathi" Melton with an item number…She sizzles for a while, but could not beat Mumaith’s “ippatikinka naa vayasu”. Happy day’s Sonia plays Samantha’s friend, has nothing to boast about.

MS Narayana plays role of hero-wannabe irrespective of his age. His role-play as youngsters like Ramcharan, NTR, and Balayya brought few whistles. Brahmanandam too supports him aptly with his craze for reality shows. SivaReddy get to play good role as Mimicry artist and even plays a pimp.

Sonu Sood gets big slot, but nothing different.  Nazar, Suman, Kota, tanikella, chandramohan, dharmavarapu, shafi, Ajay, subbaraju,Sudha, Shiyagi, Master Bharath…name them and you find them all here….have limited and adequate roles. Mahesh’s friends all did well while Vennela Kishore scores bit more.

Simple Revenge with Huge Drama!!

First half moves with good pace. Quick fights …Superb songs and pretty good one-liners fill the pre-interval with no gap. Cute romance thread between Sam and Mahesh looks much cuter as chemistry works perfectly. Director Srinu brings up “Reality-show” concept in to the proceedings, creating sufficient laughs. Brahmanandam handles it aptly; especially when he seeks SMS from audience is quite hilarious. First half which ends with a huge fight ( as big as climax) seem to be self-sufficient.

While Audience are content with the first, Srinu Vaitla plans for a huge second half with not much stuff but just to drag further the scenes he built in first half. He plugs in his regular drinking scene (Here Mahesh plays Balayya by beating his thighs), little confusion drama, pitching in loads of artists. While there are periodic laughter’s, there are more dull and artificial ones in between. Climax is again hilarious and ends with a sweet note highlighting the Father and son bonding.

Thaman rocks with his tunes while Kona Venkat smashes with his one-liners…

While Many one-liners like “Mind lo Fix ayithe”,”Bayam ante telini Blood” are hit with audience, there are still more in store in some scenes praising NTR and touching ANR and Krishna…where every dialogue rocked. Thaman this time did a great job and his tunes which already caught up like slow poison are still colorful on screen. “Guruvaaram March okati” “Dettadi…”…”Chulbuli” each song is good on screen and K.V.Guhan(Athadu) and Prasad Murella provides rich cinematography.

And Srinu Vaitla mixes the Cocktail…

Srinu Vaitla is in control for first half, but stuffs second one with his regular comedy giving way to some boredom. But he still maintains balance, uses Mahesh’s comedy timing aptly and rushes the film towards climax before it gets overdone. Dookudu tries to be blend of action and comedy but do not form a perfect cocktail.

Final Say

Had it been trim, and if it had an effective storyline, it would have been just great. Nevertheless, it sure satisfies Mahesh’s fans for no doubt. And it appeals to lot more crowds for the good things like songs, good comedy scenes having MS and Brahmi. And Movie as such will give paisa-vasool for it never misses being a regular masala film. So Mahesh plays safe this time and he gonna rock this festival.

Rating:

A Super First Half and an ok second make me give a 3.5/5

  

Kandireega Review...

Sabbu billa, aggi pulla, kukka pilla evi kadhu kavithaku anarham..annaaru Sri Sri…alaage eega..Kandireega..teneteega..Ye eegaina cinema peru ku kaavu anarham antunnaru ippati directorlu…sare vaatillo O rakam eega..Kandireega ee Long weekend lo manalni kutteidaaniki mana mundukochindi… mana Energetic star Ram…bodhu gumma Hansika janta ga natinchina ee cinema dwaara Santosh sreenivas ane director parchiyamayyaadu…

Sare..inthaki ee kandiraga kaatu entha Ghaatu ga undo choodaam O saari..

Asalu Seenu gaadi Golenti??

  Seenu gaadente ..(adenandi ee cinema lo mana Ram peru ade) Anakapalli lo telini vadundadu…vaadi gola antha intha kaadu mari..okka mukkalo cheppalante enduku paniki raani koti yedava . Kanisam Degree kooda chadavaledani vaadi maradalu Bujji(Swathi) vaaditho Pelli ki “No” cheppadam tho aavesam gaa degree finsh cheyyataaniki City kostaadu…Manodi good luck entante…College lo Sruthi(Hansika) ani O katti laanti ammai(ante Seenu gaadi kalla tho choodali) love lo padataadu…Mari Manodi Bad luck entante …AA Sruthi ni aa oorlo pedda gunda Bhavani(Sonu Sood) pichi pichi gaa premistuntaadu!! Inthalo Sandhya(Aksha) ane Telangana pori ki Seenu meeda lovvaitadi..ikaa joosko bidda..Sandhya->Sreenu->Sruthi->Bhavani…lolli shuru!!

Seenu gaaadi batch!!

“Devadaasu” laanti energy unna character ni modati cinema lone avaleela ga chesesinaa Ram ki Seenu gaadi character chaala chimple..Seenu from Anakapalli antoo entha baari gundaalanaina chitaka baadestoo…tadwaara ammailani buttalo padestoo…migathavaarini buridi kottistoo…Dailogullo Pawan ni..Koti veshaallo Raviteja ni maripinchesi…muripinchesaadu…kakapothe koothantha kanda batti unte ..aa chesina fightlaki okintha viluva undedi!!

Ika heroine..Namitha…ooops marchipoyaa…swaari..Hansika…ammo aa baari size choosi malli Namitha gaare gurthochaaru..asale mana bakka hero gaari mundu marintha baari gaa undi Hansika ki… saaaadyamainanni ekkuva arava cinemaalu vaste baagundu manaki dooram ga untundi!!

Mana Telangana pori le, gadera bhai mana Aksha…mastugunnadi le tammi..sainma la second half mottam lolli lolli jesindanuko…naaku gitla nachindra bai..ganthe..

Cinema lo Villian ani kaadu..Second hero ani cheppochu..Sonu sood..kopam ochina …santosham ochinaa Natti gaa maatlade Bhavani character “super” ga chesesaadu…Poola chokkaalu…iddaru heroine la tho chindulu.. inkem kaavali Sonu chelaregipoyaadu…chaala scenes lo navvistoo…konnintilo Ram ni dominate chestoo cinema ki pedda pluss ayyadu…

Ardam leni scenes lo araganta, kanna aaru nimishaalu, oka scene lo alaa meriste chaalu manaki “Brahmanaandam”. “Ready” sentiment anukuntaaa..Srinivas Reddy friend laa malli chesaadu. General ga brahmi chese confuse ayye character, ee saari Raghu babu chesaadu…Chandramohan,Jayaprakash Reddy migatha vaaru parledanipinchaaru!!

Seenu maradalu gaa Color’s pilla Swaathi…kaasepu alaa kanipinchi….pallu ikilinchi, malli maayamaindi!! Lord Vinayukudu ki mana cinema Vinayakudu..ade Krishnudu ichina dubbing baagundi!!

 Katha Routiney…kaani colorful gaa undi!!

Telivaina Hero,burra leni Villian ni “Maska” kotti Heroine tho usko anadam manam “Aarya” cinema kaadnunchi choostune unnaam…inchu minchu,alaati gole modati baagam anthaa…kaakapothe Sonu character ki konchem “Neththi” petti,kaasthantha comedy petti..edo alaa alaa…modati half chaala chappa gaa bandi laaginchesaaru…

Ika second half lo second heroine entry daggarnunchi…cinema konchem saradaga anipistundi…iddaru abbailu..iddaru ammailu..perfect square create chesi…”Pellam oorelthe”..”Ready” taraha lo confusion drama tho O araganta sepu katha kaanichesaadu kotta director Santosh Srinivas. Already choosesina scenlaina…konni maatalu ..situations navvulu pooyistaayi. Aksha Telanganaa yaasa muddoste…Sonu Ammayakatvam kitakitalu pettestundi. Prati ayidu nimishaalaki avasaram unna leka poina oka character entry chestoo …peddanta saga deekunda manam anukunnatu gaa ne subham card yesesi hammayya anipinchesaadu Director.

Aata..Paata..Action..camera…

Thaman dappulu gurinchi manaki kottem kaadu kada…RaviTeja cinemaalaki pani chesina experience mahima…paatante Dappulu..daruvulu ani fix ayipoyaadu. Ye paata poorthiga ekkaka poina…Madhya Madhya lo alaa lopaliki bayataki elli raataniki vesulu baatu gaa unnai paatalu. Paapam laavu heroine valla kaabolu…second heroine ki kooda rendu songullo gentulese chance ochindi!! First half lo ne kaastantha anavasaramaina Fightlu…second half lo batikinchesaaru… Cinema colorful..ga Quality ga undi..Budgettu kooda takkuve!!

Aakari gaa..

Arava Cinemalu..ari veera bayankaram gaa  hittaipotunna rojullo…leka leka ostunna Telugu cinemaalu “dhada dhada” laadistuntunna tarunam lo , Kandireega laanti oka mostaru cinema amrutham laa anipiste aascharyam ledu…Sudi anukondi…super Timing anukondi…ee Kandireega Kaatu Ghaatu rettimpayyindi!!

Rating…

3/5..    ABCDEF….ee seenu gaadu yama Taffu…

 

Dhada Review

Young Yuvasamrat Nagachaitanya is quick to come back this year for second time with his new flick “Dhada” after hitting the bull’s eye with 100% Love for summer. He pairs with lucky mascot Kajal.  New comer Ajay Bhuyan handles the direction and movie produced by Akkineni’s almost the home banner Kamakshi films.

Let’s check out if Chai really about to make the box-office shiver with his Dhada…

Plot: Viswa (Naga Chaitanya) just completes the graduation in USA. He lives with his brother who loves him the most. He falls for a rich but lonely girl Ria (Kajal) and in parallel messes up with a cruel don RD (Rahul Dev) who runs a huge sex racket and other illegal stuff in Las Vegas. How he wins his lady and puts an end to the villain is all “Dhada” about!!

Actors:  

 Nagachaitanya...(Let’s go with his pet name chai to make it simpler going forward)…so far was seen in pretty cool zone just romancing the girls either in colleges or going around trees tries to do action-oriented stuff this time. Well if you just look at chaitu leaving aside the things around…he improves a lot in dances…steps up to the next level in romance scenes…But there’s still a lot of space for improvisation in all other regular scenes. He could gel well with action sequences with good physique and lure his lady fans with cool looks and costumes that suit him the best.

Its relief for people who are bored watching Kajal in choodidhaars...as she sheds some inhibitions and increases the glamour quotient in songs there by heating up the surroundings for a while. But her sober character remains the same in this movie too and off-song, her hair-do just irritates us. Over all, just loved her in the songs than never before.

Rahul Dev puts up decent act. Kelli Dorge the helicopter boy does his favorite past time here too. Tamil actor Sriram though played pivotal role looked very dull throughout. Samiksha who is seen as his wife is adequate.

Brahmanandam, Ali are forcefully forced to enhance the torture…so it is just additional pain to what we see on screen. Mukesh rishi as Kajal’s father had meaningless role.

Simple plot screwed by jumping screenplay!!

Well the story is rather simple one, Boy meets girl for songs and he beats up bad guys in frequent intervals and he feels emotional for his family. And the movie is exactly made up of few scenes each for the Heroes romance, fights and family which come one after other every 10 min. And there is neither perfect sync nor fun element that ties these repetitive scenes.

“Dhada” is actually Ajay Bhuyan’s second, while his first film “Houseful” is still mugging in boxes for long time. He did not come up with any surprises and he is fine with scene by scene. But while summing up the things together, they are not in order. Nor there is effective camerawork or engaging background score that sets up interest for the audience.  


While First half flows ok which ends with a simple twist in hope for better second. Second looses track by the time we get to extended climax.

Songs are the savior….

In this bumpy ride, songs come to our rescue in regular intervals…All the songs composed well by Devi Sri Prasad are still colorful on screen. “Hello Hello Laila” which is chartbuster is superbly pictured (although the song creeps in for no reason). “Bhoome gundranga” and “Telugu Bengali” throw light on Chai’s effort in dances. Let’s cheer him for that. “Deewali Deepani” shows the sensuous side of Kajal.  So songs are the best part of the entire film and One scene where Chaitu asks Kajal for date using set of photographs adding up to say “What About A Date” seemed little innovative.

Finally…

Well if only for looking at chai as to how he could handle action genre, He has done his job well. But sad he is not amply supported by technical team. People looking only for Chai’s looks, Kajal’s glamour and colorful songs should just sit through the movie patiently and wait for that, 5 minutes when song plays.


More effort on screenplay and trimming the dragging parts would have made a crispier and better film.

Rating:

2.25/5. Dhada ...going up title might not shiver the box-office but should get good openings for Hero's good track record and for Dhada big direct Telugu release after a gap